Word: theaterã
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Liam R. Martin ’06 might be dubbed the ultimate newcomer to theater??until college. Martin had never pursued acting until halfway through his Harvard career, when an injury forced him out of athletics—his chosen activity up to that point—and a summer abroad inspired him to delve into drama.This year, however, Martin beat out many more experienced actors in winning the prestigious Jonathan Levy Award, which the Office for the Arts at Harvard (OFA) grants to the most promising undergraduate actor in Harvard College. Martin charts his journey to acting...
...love both music and theater, but theater??s where I really find my home,” she says...
Musicians Ben Folds and Chris Mills will be the central focus at this year’s Yardfest in Tercentenary Theater??the President’s Office’s revamped version of Springfest. While these performers, in terms of their mainstream appeal, may not be a radical departure from previous acts that have appeared at Harvard (Guster, Busta Rhymes, Bob Dylan all performed in the past, though not at Springfest), the logistics behind this year’s concert have shifted considerably.According to the Harvard Concert Committee (HCC), 2006 marks a renewed commitment to undergraduate life...
...what is least likely to surprise, confuse, or offend passes as a celebration of tradition at best; at worst, it becomes a tired, nauseating series of in-jokes. No matter what arguments writers, producers, and directors come up with to stick to such “cult of theater?? elements, it’s become increasingly clear that these tropes are not being included for their own merit, but to cover something else—mediocrity. So when the rare show comes along that aspires to break through the familiar mold, it’s usually a welcome...
...Loeb Ex, was no exception. Despite the brief show—the whole program was less than an hour long—producer Mark P. Musico ’07 managed to convey a deep sense of unease that lasted long after you left the theater??a marked departure from his usual lighter musical fare. While this was the goal, it meant that enjoyment of the play was directly proportional to one’s tolerance for and enjoyment of depictions of the darker side of human nature. All of the plays recycled actors and directors, with each...