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Word: theater (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

...after all, Sullivan, and the orchestra for this performance bubbles. The members say that it works because they've played together for all the rehearsals and performances. Also because of the direction of John Posner, who's led the HGSP orchestra out of its mid-'70s doldrums. The theater walls are peeling a bit this year, but the Agassiz still drops this orchestra endearingly in the audience's lap. Too bad the players read the Sunday Times or Weber when they're not actually playing...

Author: By Jamie O. Aisenberg, | Title: For Kids Mostly | 12/3/1979 | See Source »

Gilbert and Sullivan always sells better than the rest of Harvard theater. Who goes to see these shows? Administrators and their kids. Faculty and their kids. Music teachers, who mouth all the words, and their adopted kids. And just plain unaffiliated parents and their's. Yes, these tricks are for kids, and this year they're good tricks, so if you don't have a station wagon put them all on bicycles and head over. You may even enjoy yourself...

Author: By Jamie O. Aisenberg, | Title: For Kids Mostly | 12/3/1979 | See Source »

...Design at Loeb Theater...

Author: NO WRITER ATTRIBUTED | Title: CANDIDATES FOR CLASS MARSHAL | 11/28/1979 | See Source »

...until very recently, simple technical problems stood in the way of decent opera films. Movie theater sound systems couldn't deliver the dynamic range of operatic performances without unbearable distortion; directors didn't know how to dub singing voices convincingly; the acting of singers showed embarassing flaws under the close scrutiny of the movie camera. Joseph Losey's Don Giovanni is remarkable not because it records a worthy performance--it's rifled with musical problems of evert sort--but because it solves the worst of the artistic problems that have kept opera off the screen. With any luck future directors...

Author: By Scott A. Rosenberg, | Title: Donning the Screen | 11/28/1979 | See Source »

...person's conduct--was a good deal like fumbling in a lock with a key chosen at hazard." As analyzing human nature can be slightly slow, clumsy and difficult on paper, so much harder is it to render it on film ready made for passive viewing in a theater. Without an insightful narrator or character who is willing and able to pronounce judgements on the characters, only the formal, though charming, Victorian plot and characters remain. Only seemingly simple appearances show through; each character looks the way he really is. Face value becomes of great value...

Author: By Sarah G. Boxer, | Title: The Missing James | 11/27/1979 | See Source »

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