Word: theater
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
Nowadays the mainstream is receiving a rich new current. More and more, American film, theater, music, design, dance and art are taking on a Hispanic color and spirit. Look around. You can see the special lightning, the distinctive gravity, the portable wit, the personal spin. The new marquee names have a Spanish ring: Edward James Olmos, Andy Garcia, Maria Conchita Alonso. At the movies, the summer of La Bamba gave way last year to the autumn of Born in East L. A.; now the springtime of Stand and Deliver blends into the summer of Salsa. On the record charts...
...north-of-the-border sensibility. As in La Bamba: its story of Chicano life is told through myths of immigrant struggle and showbiz martyrdom that were born in the U.S.A. Increasingly, too, Hispanic artists and entertainers are courting the mass audience in English. Many of the nation's Latino theaters perform in English only. "I don't want to be a good Hispanic theater," says Max Ferra, Artistic Director of Manhattan's predominantly English INTAR Hispanic American Arts Center. "I want to be a very good American theater." After writing two books in Spanish, Novelist Roberto Fernandez has just published...
...shows like Kojak and Hawaii Five-O, often as bartenders and two-bit hooligans. "I was the only person Jack Lord shot in the back, ever," he notes dryly. "That's how bad I was." Then in 1978, during an audition for a play at Los Angeles' Mark Taper theater, he was asked if he would like to try out for Zoot Suit, Luis Valdez's musical drama about the famous "Sleepy Lagoon" case of 1942, in which a group of Hispanic youths were wrongly convicted of a murder...
...scheduled to run at the Mark Taper for ten days. It ended up playing for a year before moving to Broadway, where it closed after seven weeks. Olmos' disappointment was soothed by a Tony nomination (he had already won a Los Angeles Drama Critics Circle award and a Theater World award) and the chance to star in the film version of the play, which Valdez also directed. Acting roles came in faster after that. Wolfen (1981) was followed by Blade Runner (1982), in which Olmos played a multiethnic in the year 2019, who he explains, "had German blue eyes, Japanese...
...THEATER...