Word: theater
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Dates: during 1980-1989
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...York City, lives at the Dakota, the realm of Leonard Bernstein and Yoko Ono. He likes to hang out in front of the building in untied tennis shoes with pushed-in heels or to squeak along Columbus Avenue communing with the town. "The people," he says, "are the best theater in New York...
...vibrations of earthquake about it. America shuddered. History cracked open: bats came flapping out, dark surprises. American culture and politics ventured into dangerous and experimental regions: uplands of new enlightenments, some people thought, and quagmires of the id. The year was pivotal and messy. It produced vivid theater. It reverberates still in the American mind...
...swallowed fire. In the fall of 1967, 35,000 demonstrators had marched on the Pentagon and in the hip-mystic style had attempted with chants to levitate the palace of the war machine. Draft resistance had become a conspicuous form of American political theater. Young men burned their draft cards in front of news cameras, the flames licking around the edges of the cardboard in a poetic echo of the televised flame that licked from a Marine's Zippo lighter to torch a Vietnamese...
...atomic age came to a sort of critical mass in the spring of 1968. Nineteen days after King's assassination, students at Columbia University began occupying five buildings on the campus and held them for almost a week. Mark Rudd, a Columbia junior with a gift for confrontational theater, led an "action faction" of S.D.S. He wrote an open letter to University President Grayson Kirk, which he closed with a line from LeRoi Jones: "Up against the wall, m, this is a stickup." With some of the student movement's talent for converting disrespect to symbolic desecration, the occupation forces...
...figures of a little girl and her brother. "Culture doesn't just come; it develops slowly, richly. Generation after generation has to digest and refine these marvelous influences." The message may seem a little heavy for an amusement park, but the audience in the country's first revolving Carousel Theater is all ears. As the stage revolves, the sagacious bird launches into a lecture on the virtues of isolationism. Finally the Feathered One concludes, "People are like dreams," a huge red sun rises above the stage, and all the flesh-and-blood visitors to the Meet the World pavilion...