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Word: theater (lookup in dictionary) (lookup stats)
Dates: during 2000-2009
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Usage:

...necessarily a crowd the Oberon staff is adverse to, even if they did believe that it’s the type a burlesque troupe would attract—which they don’t. By encouraging and inviting troupes to perform there, they hope that the high quality theater space and audio and lighting equipment will lend burlesque troupes not only the proper materials to create their spectacles but also some artistic legitimacy. And while “The Slutcracker” has had success at the Somerville Theatre, the performers in the show do not derive from one troupe...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Getting a Leg Up | 11/20/2009 | See Source »

...Slutcracker’] was fantastic and what they did that was so brilliant was put together all these troops... [but] the problem with Somerville Theater is that that’s not a home,” says Oberon producer Randy Weiner. “And what we’re try to give them a home...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Getting a Leg Up | 11/20/2009 | See Source »

...think what is removed is an anxiety around a very specific presentation of sex,” says Eugene Tan, community engagement director of The Theater Offensive, which recently presented the 18th annual Queer Theater Festival, “Out on The Edge.” “I think a lot of burlesque is interested in a very polished version of sex and in that way it’s related...

Author: By Beryl C.D. Lipton, CRIMSON STAFF WRITER | Title: Getting a Leg Up | 11/20/2009 | See Source »

Frank H. Rich ’71, currently a New York Times columnist and formerly their chief theater critic, first met Sondheim after writing a Harvard Crimson review of “Follies,” a Boston production for which Sondheim wrote the music and lyrics...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Good Deeds: Sondheim Seduces Audiences | 11/20/2009 | See Source »

Upon reading the review, Sondheim contacted him requesting a meeting. Sondheim was impressed by the article, not because of its positive assessment, but because of how adeptly Rich had understood the play. During Saturday night’s onstage conversation, Sondheim stressed that in theater it is supremely important that the audience understand and connect with the material...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Good Deeds: Sondheim Seduces Audiences | 11/20/2009 | See Source »

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