Word: theatered
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...MOVIE Synecdoche, New York A theater director (Philip Seymour Hoffman) has a Really Big Idea for a play, an obsession that upends his life and leads to madness. Charlie Kaufman's comedy about artistic ambition is challenging, invigorating and, if you go with it, brilliant fun. It's like a suicidal Fellini film--a downer...
...plays about the Iraq war. Hollywood, traditionally the go-to vehicle for telling war stories, had its own flurry of interest but after a few star-studded box-office underperformers (In the Valley of Elah, Redacted and, most recently, Body of Lies) has largely retreated to its foxhole. Theater has stepped into the breach, using an impressive arsenal of stage weaponry to grapple in more imaginative, varied and visceral ways with the U.S.'s extended tour of duty in Iraq...
...down monologues, like Judith Thompson's Palace of the End, in which an Iraqi woman, a British weapons expert and a U.S. soldier who took part in prisoner abuse tell their stories; others are more ambitious, experimental and experiential. Coming soon to off-off-Broadway: a 3 1/2-hour environmental-theater event called Surrender, in which audience members are put through simulated training and deployment to Iraq, taught how to search for insurgents and then sent back home to go through rehab at Walter Reed. Turn off your cell phones, please, and return the M-4 rifles on your...
...draft), artistic comment took a backseat to political action. David Rabe, author of a memorable trilogy based on his combat experiences in Vietnam, recalls getting "turned down everywhere" before his first play, The Basic Training of Pavlo Hummel, was finally produced in 1971 by New York City's Public Theater. (The third, and best, play of his trilogy, Streamers, is being revived this fall by New York City's Roundabout Theatre...
...docuplay, written by Gregory Burke, from interviews with members of the Black Watch regiment--a storied Scottish fighting unit that dates back to the early 1700s. But what could have been dry and didactic is transformed by a host of inventive, kinetic environmental-theater devices: strobe-and-sound effects to simulate the shock of battle, video screens, interludes of traditional Scottish military songs, evocatively choreographed group movement. In one sequence, soldiers silently pass letters from home to one another, reading and weaving about the stage in a ballet of camaraderie and longing. In another, a soldier recites the history...