Word: theatered
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...outfitted with free WiFi and XM radio, big screen TVs at every gate and plenty of outlets for recharging cell phones and laptops. There's a resident pharmacist, a day spa and later, if all goes as planned, there will be holiday concerts, art exhibits, and perhaps even theater and dance performances. Ten shops circle the atrium - the bustling heart of the blue-hued terminal, at the fork of the its "Y" - including luxe retailers such as Lacoste and the Japanese clothing maker Muji. Overhead, a 44-foot yoke of LED screens, designed by David Rockwell to echo the undulating...
...Swenson--are better singers than the originals) has gained a new appreciation of those distant counterculture years. "I think people are desperately longing to reconnect," she says, "to a time when you as a citizen felt like you could make a change in your country." Oskar Eustis, the Public Theater's artistic director and the guiding spirit behind the production, likes to hammer home the parallels between the Vietnam protests of Hair's era and the current disillusion with America's adventure in Iraq. "A lot has changed since 1968," said Eustis onstage to welcome the audience before the first...
This summer, though, Hair may have its stars in alignment at last. A definitive version of the groundbreaking show has just started a monthlong run in New York City's outdoor Delacorte Theater in Central Park. Expanded from a concert version that ran for a weekend last September, the revival is being produced by the city's Public Theater, Joseph Papp's downtown theater lab that first opened its doors in 1967 with Hair. It is returning on the 40th anniversary of the show's Broadway debut. All the tickets, fittingly, are free. Most folks queue up on the Internet...
...show, says Rado), some lyrics have been updated, and the book has been streamlined and pared down. For audiences crowding into the early previews, it's clear that Hair has not just been revived; it has been reinvigorated and reclaimed as one of the great milestones in musical-theater history...
Rado and Ragni were off-broadway actors and part of the downtown experimental-theater scene in the mid-'60s when they decided to write a musical that would express the new attitudes of the youth culture exploding around them: sexual experimentation, an openness to drugs, the rejection of middle-class values of all kinds and most of all a hatred for the Vietnam War. The creative process reflected this freewheeling, convention-defying spirit. To cast the show, Rado and Ragni scoured the streets of Greenwich Village for people with the right look. Early performances had an anarchic, anything-goes feel...