Word: theatered
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Miller’s path has truly come full circle. This summer he heads back to Denver, his hometown, to rework the election play he orchestrated freshman year. He will be working with the Physically Handicapped Actors & Musical Artists League, the theater group for disabled actors where he was first able to combine his interests in disability and theater. After bringing the show to local high schools, Miller plans to stay in Denver for the remainder of the year, pursuing creative projects and attending the shvitz...
...Full House,” Taxin guarantees that the show will be quality entertainment. “This is at the heart of where Shakespeare drew from,” he says. “Roman satire is really the heart of what we consider to be Western theater.” This pivotal piece was not an easy one to adapt for the Harvard audience. The HCC members translated the play from the Latin themselves. Taxin, a Classics concentrator, found the main problem to be “establishing consistency between the translations of different people...
He’s been called director, actor, and producer, but those in the theater community know him best as technician, carpenter, set builder and light designer. Basically, if you need a free-standing, removable 15x4 plank of wood on the set of your play, David S. Jewett ’08—one of this year’s recipients of the Louise Donovan Award—is the person to call. A Minneapolis native, Jewett has always had an interest in theater but only got involved in set construction after coming to Harvard...
...somersault. She sits down on the edge of a seat and restlessly gazes at the stage.The senior has been stage-managing for the Harvard-Radcliffe Dramatic Club (HRDC) for the past four years and served as president last year. In addition to learning more about the process of theater production, Kaufman has grown personally from her experiences behind the scenes. “I’ve definitely become more confident, and I’ve developed a much louder speaking voice, necessary when trying to quiet down a cast of 20,” she says.Kaufman...
...following societal dictates. In addition to a thematic focus on the importance of questioning assumptions, the absurdist aesthetic of “Tres sombreros de copa” promises to challenge conventional understandings of theater.Rodriguez believes that the whimsical yet reflective production will facilitate a less rigid approach to theater as well as life. She points out that the seriousness that Harvard students bring to their work also influences their understanding of drama. At Harvard, Rodriguez says, students are more likely to view participation in a play as a chance to build a resumé. Elsewhere, theater offers an escape...