Word: theatered
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Miller entered the Harvard theater scene full-throttle, launching a play during his freshman fall that he’d co-written the previous summer. Meant to inspire people to vote, “2004: An Election Year Odyssey” production was faced with a rather inflexible timeline. As he tackled this project, Miller revealed the initiative that would become characteristic of his endeavors at Harvard...
...Originally three hours long, the musical opens on Thursday as a lighter, two-hour version. The production is full of Cabot House spirit, from the cast to the production staff and the director. Susan Livingston, a Cabot House administrator, says, “We are unique in Harvard undergraduate theater in that when we say a house production, it truly is only Cabot House students, administrators, and me.” Several cast members, including Yin Li ’08 and Brittany C. Behrens ’08 are Cabot Musical Theatre veterans, having participated in the Theatre?...
...suppose, and decided to give me a chance.” Last-minute cast shuffling left her with a turn as King Alonso, a meatier part than her original role as the Boatswain. Every summer from then on, Lloyd-Bollard performed in Shakespeare Under the Stars, the community theater group in her hometown of Hampshire, Mass. Arriving at Harvard, Lloyd-Bollard was more certain about her theatrical goals than about how to attain them. College drama presented new challenges for her: “I knew I wanted to keep acting. I had trouble getting cast freshman year?...
Miller came to Harvard for theater. More precisely, he came to Harvard because they had no theater major and, he presumed, less theater politics as a result. After witnessing an alum’s films about Africa at his high school, Miller arrived with an aim to pursue...
Miller traces two threads through his college years—one related to theater and the other to film. “They converged at my thesis,” he says, “which was sort of the plan all along.” Miller’s thesis, entitled “Username: Faust,” premiered at the New College Theatre last month. A multimedia combination of theater, video, and various Faust myths, the production was a collaboration between Miller and four talented disabled actors from outside of Harvard...