Word: theaterful
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Shafrin is quick to say that he hasn’t navigated the Harvard Drama circuit alone: his blockmates and close friends are also theater mainstays. And though he eschews discussing his own strengths onstage—opting to talk about himself as the product of an encouraging environment instead—his roommate and co-president of SGCT, Alison H. Rich ’09, points to a wealth of innate talent...
...grid, and ensuring the safety of all involved in plays. “Me and Bruce [Springsteen] in the shop, that’s the last four years in a nutshell,” Clark says. Beyond the rewards of hours spent listening to The Boss, technical theater has offered Clark a fulfilling creative medium. Clark became the HRDC tech liaison—a member of the HRDC board that oversees all technical aspects of productions and ensures the safety of all involved—his sophomore year, when the former tech liaison dropped out. He continued as tech liaison...
Despite her high school involvement in theater, music, and dance, Catherine “Calla” Videt ’08-’09 entered Harvard with intentions of becoming a physicist. Now with a substantial list of acting and directing credits to her name, not to mention the first student show on the Loeb Mainstage in 15 years, it might seem as though Videt—the 2009 recipient of the Luis Sudler Prize in the Arts—has traded her passion for physics for a new one. But this is hardly the case. While...
Daniel R. Pecci ’09 is interested in what we think of as theater—and how he can expand the definition. The active member of Harvard theater began his creative exploration as a child, when he would orchestrate what he calls “haunted hayrides.” “We would create enormous spider webs, pyramids and pick-up trucks filled with hay,” he says. His play “Black-eyed Susanna,” written in his senior year of high school, won the Phyllis Anderson Prize...
...extensive work, Laubacher, who is also a member of the Harvard-Radcliffe Dramatic Club and co-founder of the Harvard Stage Designers’ Collective, has been awarded the OFA’s Council Prize in Visual Arts and the first Alan Symonds Memorial Award for work in technical theater. “It’s exciting to have set design called a visual art form, because there’s a way in which theater is thought of as performance based even though it’s so much more than that,” Laubacher says...