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...Cambridge. Puritanical conservatism, academic mores, and general structural lapses have hampered dramatic life at Harvard from its origins up to the present day.Yet all hope is not lost. With a renewed interest in the arts emanating from Massachusetts Hall and mirrored in the English department and American Repertory Theater (A.R.T.), the time may have come for Harvard to finally reconcile its nearly 400-year struggle with the dramatic arts. Perhaps most significantly, students can now gain academic recognition for dramatic arts, through a new Secondary Field. As Homi K. Bhabha, professor, director of the Humanities Center, and member of President...

Author: By Alexander B. Cohn, CRIMSON STAFF WRITER | Title: Harvard Drama’s 300-Year Struggle | 12/7/2007 | See Source »

LETTER FROM A THEATER- GOER...

Author: /time Magazine | Title: Inbox | 12/6/2007 | See Source »

There's a big problem, of course. As Chayes says, "expanding in an active theater of war is an increasingly tricky notion." At the moment, Arghand relies on the generosity of the Canadian army, which lets Chayes use its post office for shipping. A commercial air-freight service, she says, would give a huge boost to the growing number of Afghan traders who want to export. It's a classic catch-22: freight companies shy away from Afghanistan because it's so unstable, but stability will come only when Afghanistan's economy improves, which will require more investment, such...

Author: /time Magazine | Title: Pomegranates: A Fruitful Trade | 12/5/2007 | See Source »

This weekend, the Gilbert and Sullivan Players’ “The Mikado” went up at Agassiz Theater. “Mikado,” which tells a story of love, law, and decapitation, is among Gilbert and Sullivan’s 14 light operas of the late 19th century, one of the most popular operas ever written.“The Mikado” is a biting satire lampooning British government and society. We know from the outset that the Japan presented is too much of a caricature for the play to be truly about Japan...

Author: By N. KATHY Lin | Title: Orientalism and ‘The Mikado’ | 12/4/2007 | See Source »

...Despite the far-fetched plot, the actors managed to turn out strong performances, keeping up the energy and tempo throughout the evening. Catomeris, a freshman, and Harvard theater veteran Cutmore-Scott were very believable as best friends. Their relationship, especially as “Manuscript” drew to a close, was one of the most convincing aspects of the play. Kargman managed to give Elizabeth a wide emotional range, despite her character’s manipulative and unsympathetic nature. All three actors took on their roles with enthusiasm, embracing the melodrama and rising above...

Author: By Rachel A. Burns, CONTRIBUTING WRITER | Title: Acting Overcomes Weak Writing in ‘Manuscript’ | 12/3/2007 | See Source »

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