Word: theaterful
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...Clearly the digital revolution makes possible new media. In terms of Project Zero, one of the things we’ve learned from the digital revolution is that we can’t just think of canonical art forms—dance, theater; we have to think of other art forms that are arising because of digital possibilities,” Tishman says. “The digital revolution makes possible certain kinds of tools that provide opportunities to engage in the arts much more widely and in different ways...
...Afghan theater is quickly becoming the main act in the Obama administration’s Middle East policy. As a result, the success of U.S. efforts in the region is inextricably tied to that of the Afghan government and its establishment as a legitimate authority. Unfortunately, the recent withdrawal of Abdullah Abdullah from the Afghan presidential race represents a poor decision on Abdullah’s part and a step back on Afghanistan’s road to recovery. Abdullah’s decision not to challenge incumbent Hamid Karzai in a runoff election can be explained as a principled...
...forces to Afghanistan is a slow process and needs to start as soon as possible if U.S. forces are to be in place for next spring's expected Taliban offensive. "Even if the President orders 40,000 troops to Afghanistan tomorrow, we can't fly everything into the theater," an officer said on condition of anonymity. "It's 45 days from the U.S. to Pakistan [by sea], and then another two weeks over land into Afghanistan." Some military officers say privately that a quick, forceful decision creates its own momentum toward success, while a dragged-out process makes troops, allies...
...libertine and performed by lunatics; a thick weave of freedom and surveillance, change and identity brought together with a tense, gripping energy (and the occasional musical interlude). But it’s also a drama about events which took place 200 years ago driven by theories of theater half that age. One look at the show’s original 1963 title, “The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade,” should raise a flag: this...
...inmates and our own theatre-going selves, who watch both the play itself and the intellectuals’ reaction to it. This idea of surveillance and reaction comes from the text—Weiss was influenced by the theories of Bertolt Brecht, a German playwright who believed in politicizing theater by highlighting its artificiality—and Leaf uses it fully...