Word: theaterized
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...Stairs to the Roof” is a play that many theater-goers may never have heard of by a playwright they probably know quite well. One of Tennessee Williams’ earliest works and his first written deliberately for a mass audience, “Stairs” has never had the popular appeal of Williams’ later plays. Seemingly aware of this fact, visiting director Michael M. Donahue ’05 turns the Agassiz theater inside-out with an exciting and unconventional production that breathes vibrant life into a work that wouldn’t ordinarily...
...machine at a shirt manufacturing company, whose only escape from his drab world is a secret set of stairs that leads him to the roof of the building in which he works. Benjamin is portrayed by portrayed by Scott E. Lyman, a graduate student at the American Repertory Theater/ Moscow Art Theater School Institute for Advanced Theater Training at Harvard University (A.R.T./MXAT). Stuck in a life he has no passion for, Benjamin and his co-worker (A.R.T./MXAT student Lindsay Strachan), referred to simply as Girl, embark on a whimsical adventure to explore everything their lives had previously denied...
...perspective by seating them on the stage, while the play’s action takes place on a platform in the middle of the traditional seating area. However, the actors are not solely confined to this makeshift stage; two ladders give them access to the balcony of the theater, and they roam freely throughout the entire space...
Entering a dimly lit theater as a band played jazz in the background, Timberlake, wearing a grey J. Lindeberg suit with a matching grey fedora, sat in the center of the fifth row and endured a relentless roast from Pudding producers Stephen L. Rola ’11 and Kelly M. Conley ’11 that touched on almost all aspects of his career...
Entering a dimly lit theater as a band played jazz in the background, Timberlake, wearing a grey J. Lindeberg suit with a matching grey top hat, sat in center of the fifth row and endured a relentless roast from Pudding producers Stephen L. Rola ’11 and Kelly M. Conley ’11 that touched on almost all aspects of his career...