Word: theaterized
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Race needs to be talked about openly and immediately. That’s the straightforward message of Code Switch 7, a brand-new theater company founded by the American Repertory Theater’s (A.R.T.) seven African American students: Renee-Marie Brewster, Anthony Gaskins, Kelley Green, Faith O. Imafedon ’07, Richard Scott, Charles Settles, and Lindsay Strachan. Under the mentorship of Professor Robert Scanlan, they will be performing their debut show at 2pm on Sunday, February 7 at Club Oberon...
...rise of Code Switch 7 is an experiment—not just in terms of their message, but also in terms of trying to get a budding theater company off the ground. Scanlan is outlining an infrastructure in which independent student theater companies with developed projects could begin to take off, benefiting from the expertise of the many producers and technicians running Harvard’s performance venues. Scanlan views the new Club Oberon space as one with great potential for Harvard theater troupes. He and the Sevens hope that their company will continue to write, invent, and perform long...
Borrowing established stories and adapting them for the stage is hardly unusual in today’s theater culture, where original writing is hard to find. It is rare, then, when a production based on another work manages to feel exciting. Perhaps even more remarkable is that the American Repertory Theater (A.R.T.) and Elevator Repair Service (ERS) achieve this freshness with one of the most well known American novels: F. Scott Fitzgerald’s “The Great Gatsby...
...Oscar nominee herself for her performance in 2008's "Rachel Getting Married," Hathaway will be announcing the list from the Samuel Goldwyn Theater at an early morning news conference today...
...Congress on a jobs bill and other long-term recovery efforts behind the scenes, he should use the bully pulpit to fight the forces that impede his agenda in the open. This year, Obama should fully embrace the role of the self-sacrificial, morally-driven protagonist of the political theater...