Word: theaters
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Dates: during 1940-1949
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...Theater, the old hook was sharpened for the first time in a century. With an apologetic epilogue to appease a generation of Bardolators, the Oxford University Players took a chance on Tate's happy Lear. Instead of a cruel death by hanging, Heroine Cordelia eventually got her man (Edgar) and a fatherly blessing from a mentally restored Lear. Risking all, the Oxford undergraduates even wore the ruffled costumes of Garrick's day, which gave their stage movements a look of mincing foppishness...
Tubby, benign Pierre Monteux, conductor of the San Francisco Symphony, came asaving. Last fortnight, his shoe-button eyes shining, Monteux was in the pit at Amsterdam's Stadsschouwburg theater. Onstage as Orfeo was Kathleen Ferrier (TIME, March 14), the English girl whose sumptuous contralto has earned her first title to the role. The rest of the cast, including a first-rate soprano named Greet Koeman, was Dutch...
...movie exhibitors were fed up with playing the villain's role. For years, and as recently as LIFE'S Round Table on the movies (TIME, June 27), they had heard familiar squawks from Hollywood: theater owners take most of the film industry's profits, run the fewest risks and keep its output down to mediocre level by calling the turn for the moviemakers...
Last week, partly to get some attention for advice that they claim goes unheeded in Hollywood, a powerful group of exhibitors offered to risk at least $10 million. In Manhattan, representatives of 25 independent theater chains with some 1.500 houses organized a National Exhibitors Film Company for financing independent producers...
...Hollywood, most independent producers rubbed their hands at the prospect of the theater owners' largesse. But a few feared that the exhibitors would drive hard loan terms and might spend more time meddling on the sound stages than feeling pulses at the box office...