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Word: theatricalities (lookup in dictionary) (lookup stats)
Dates: during 1930-1939
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Usage:

...Pudding Full of Plums" has any theatric vitality in the present production, it is mainly due to the remarkably fine work of Miss Lois Hall in the role of Ann, and to the interesting direction of John Cecil Haggot. W. E. H. "Boston Evening Transcript...

Author: NO WRITER ATTRIBUTED | Title: DRAMATIC CLUB REVIEWS | 12/13/1935 | See Source »

...Brahms suffered from the critics who tried to classify him and failed. He was an ardent romanticist, yet he adhered unfashionably to established musical forms. The world in his time was swayed by the amazing music-dreams of revolutionary Richard Wagner. Brahms never wrote for the stage, never for theatric effect...

Author: /time Magazine | Title: Music: Master from Hamburg | 2/25/1935 | See Source »

Conductor Rodzinski's début concert was the loudest if not the loveliest that New Yorkers have heard this season. He swayed excitedly from side to side, made fierce faces at the players to bring out every last theatric effect. Scriabin's Divine Poem, stunningly bombastic, compelled an ovation for the hard-working Clevelander. But Rodzinski had still louder music: two entr'actes from Soviet Composer Dmitri Shostakovich's Lady Macbeth of Mtsensk...

Author: /time Magazine | Title: Music: Sample Screeches | 12/3/1934 | See Source »

...doubtful if Stravinsky in his austere mood would approve the performances which Stokowski and his orchestra gave last week in collaboration with Manhattan's League of Composers. Stravinsky's intention was to scorn theatric devices, even program notes. He put his text into Latin for the sake of still greater obscurity; illusion was to come from the music alone. But a part of Stokowski's genius is expressed in his willingness to walk where angels fear to tread. It is nothing new for him to appear to know more about a piece of music than the man who wrote...

Author: /time Magazine | Title: Music: Stokowski Translates | 4/20/1931 | See Source »

Tosca by Italian artists, the chorus of La Scala and the Milan Symphony, under Lorenzo Molajoli (Columbia, $21)-In-terruptions by an excited Italian claque are the only additions needed to make this Tosca sound completely realistic. All Conductor Molajoli's performances move at a swift, theatric pace...

Author: /time Magazine | Title: Music: March Records | 3/9/1931 | See Source »

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