Word: theatricalities
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...time, it is not too much to say that Mr. Hampden's presentation is worthy of taking rank among the traditions of our stage. In person, in voice, in acting, Mr. Hampden presents a Prince of Denmark who is a troubled human being rather that a mere deliverer of theatric monologues. Surrounded by a competent company, with an entirely adequate but extremely simple stage setting, with quick and silent changes, he gives us more of the play than we usually see. The action marches as a whole, and not as a series of incidents loosely strung together. A great actor...
...mistake common in plays of its type of failing to give a fair show to both sides of the question. "The Little Cards," by John Redhead Froome, Jr., is a play of Ellis Island, immigration and the Binet test is superficially the most effective of the plays from the theatric point of view, though it lacks the genuine humor and human quality of Miss Hinkley's play...
...semblance of a plot. The most out standing feature of the production is the excellent and attractive chorus. In this Hammerstein has shown some originality and considerable skill. The staging of the play could hardly be improves upon and the scenery shows real talent and appreciation of theatric effect. But here we stop...
...melodramatic. The lines of the part are spoken with sensibility and taste, and the time of the verse is good. But on account of the limited range of his voice, Mr. Tree is unable to bring out the various music of Shakespeare's verse. His Hamlet was melodramatic, theatric, and moved brilliantly along over the surface of the poet's intention. Often, indeed, Mr. Tree dipped below the surface, but never sounded the depths. His Hamlet appealed to the eye, the ear, the nerves, sometimes to the heart; but seldom convincingly to the understanding, or deeply to the spirit...