Word: theever
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Dates: during 1998-1998
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...script. What could wellhave been a technical nightmare-the disparaterealities of Stine and Stone-is slickly overcomewith juxtapositions, stop-action andinstant-reverse stage-play. At points, the setsand music are manipulated with skill to slip fromone world to another. It is the generalprofessionalism of the production that makes theever-present mic trouble annoying in contrast. Infull, this production demonstrates a very strongconceptual foundation, as evidenced by the sightand light designs of Robert Schlesinger's '00 andDaniel O. Scully's '99, respectively. The actiontakes place all over the stage, at multiplelevels, in numerous layers, against a symbolicallycharged...
...appears as though people agree. MemorialChurch is still full on Sundays with theever-changing tide of graduate and undergraduatestudents, knowing that anyone with a "spiritualhunger" can either hear Gomes or read Gomes--andfind themselves feeling decidedly full
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