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Word: thelonius (lookup in dictionary) (lookup stats)
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...Although Thelonius Monk was a significant creator in the new jazz of the '40's, he reached real maturity in about 1957 with the Brilliant Corners LP on Riverside (12-226). Monk was a pioneer in the controlled use of space in his writing and playing, and his tonal practices are totally original. He is also one of the great wits of jazz. Try one of the several records on which he appears as a solo pianist. Cecil Taylor occupies the position of enfant terrible of the piano which Monk once held. His music--sometimes only peripherally music--consists largely...

Author: By Ron Brown, | Title: THE MUSIC BOX | 12/15/1961 | See Source »

Jazz on a Summer's Day. During 85 woolly minutes at the Newport Jazz Festival, first-time Director Bert Stern gives his audience some solid sound, and a way-in view of the way out: Thelonius Monk, Gerry Mulligan and like that...

Author: /time Magazine | Title: CINEMA: Time Listings, may 30, 1960 | 5/30/1960 | See Source »

Jazz and dope often seem as closely linked as their jargon; e.g., the jazz terms "hip" and "hipster" are derived from opium smoking, during which the addict lies on one hip. Such famed hipsters as Gene Krupa, Thelonius Monk and the late Billie Holliday had their public problems with dope, and the jazz trade has long refused to book some big-name combos into cities where drugs are known to be hard to get. To find out just how far jazz and dope play hand in hand, Manhattan Psychologist Charles Winick interviewed 357 jazz musicians on the habits of some...

Author: /time Magazine | Title: JAZZ: Drugs & Drums | 5/2/1960 | See Source »

Kenny Clarke Plays André Hodeir (the Kenny Clarke Sextet; Epic). A low-keyed collection of nine arrangements of modern jazz works (Thelonius Monk's 'Round Midnight, Miles Davis' Swing Spring), plus three original compositions by French Hipster Hodeir, Europe's leading jazz critic-composer (Oblique, On a Riff, Cadenze). The emphasis here is on intricately woven ensemble playing, shot through with some fine flights of "written improvisation...

Author: /time Magazine | Title: Music: Pop Records | 1/6/1958 | See Source »

Baker and his California colleagues revere such "early moderns" as Negro Bop-sters Dizzy Gillespie, Charlie ("Yard-bird") Parker and Thelonius Monk. But they are far more interested in their own ideas than in merely imitating onetime models. In this, jazz historians may decide, the California youngsters are repeating the role of the white Northern musicians who 30 years ago picked up the original New Orleans variety and turned it into something called Dixieland...

Author: /time Magazine | Title: Music: Listen to Those Zsounds | 2/1/1954 | See Source »

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