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Word: themes (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

...Arts, was looking for a major show to mark the A.F.A.'s 50th anniversary celebration in 1959. Reading TIME'S cover story on Eero Saarinen (July 2, 1956), he noticed a box headed "The 20th Century Form Givers," was struck by the possibilities of making it the theme of a comprehensive and definitive exhibition of 20th century architecture. Prior went to TIME, asked it to tap its research and picture resources to assemble the show. Organized by Associate Editor Cranston Jones, who has won two American Institute of Architects' awards (Saarinen cover; Edward D. Stone cover, March...

Author: /time Magazine | Title: A Letter From The Publisher, Apr. 27, 1959 | 4/27/1959 | See Source »

...educate himself; he negotiated skillfully at scores of world conferences. When he moved out ahead of public opinion, as he did in trying to push the European Defense Community and to save Quemoy and Matsu, he could yield with a lawyer's tactical skill, always returning to his theme when the times had caught up with...

Author: /time Magazine | Title: JOHN FOSTER DULLES: A Record Clear and Strong For All To See | 4/27/1959 | See Source »

...lights and haunting music, these women suffer, cheat, show flashes of compassion, and dream about escape. One who originally sold herself to support her son goes insane when the son renounces her. Another drives her tubercular husband to suicide by working at Dreamland to save him. And throughout the theme repeats itself: innocent girl must enter, hardened woman must stay, old prostitute must leave...

Author: By Alice P. Albright, | Title: Street of Shame | 4/27/1959 | See Source »

...instances J.B. by Archibald MacLeish and Sweet Bird of Youth by Tennessee Williams, "in both of which a great many drums are beaten, but you're not sure what the drums are summoning you for... If the play has a big enough theme, and is well enough directed--excitingly enough directed--I think there is a tendency to equate that with a masterpiece...

Author: By Julius Novick, | Title: Eyewitness for Posterity | 4/21/1959 | See Source »

...there are also a few easily recognizable major triads. It is an odd work in some ways, since Mr. Stewart contrasts tense, massive climaxes with passages that are almost flip--the sly fillip of the flute at the very end, for instance. The opening is very attractive, with the theme (almost a twelve-tone row) announced softly by the low strings pizzicato to the accompaniment of saucy raps on the snare drum. But in the middle section--a sort of languourous waltz--the sense of direction is lost and the piece begins to maunder. The final movement was transmitted...

Author: By Edgar Murray, | Title: Harvard-Radcliffe Orchestra | 4/18/1959 | See Source »

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