Word: themes
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Dates: during 1950-1959
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...fallen under the piano.) Pianist Richter-Haaser belongs to the hair-pulling, note-dropping school, in the spectacular romantic tradition. His performance last week-Beethoven's "Appassionato," Sonata, Schumann's Fantasy in C Major, Stravinsky's Sonata, Brahms's Variations and Fugue on a Theme by Handel-was studded with wrong notes and blurred acrobatics. But it also had the kind of galvanizing effects that only a first-rate musical mind and heart can convey to an audience. Richter-Haaser's approach, particularly in the "Appassionata," was heroic, his tone boldly ringing, his rhythmic drive...
...similar theme occurs in conjunction with a familiar biblical echo: The man old in days will not hesitate to ask a little child of seven days about the place of Life, and he will live.For many who are first shall become last and they shall be come a single one . . . When you make the two one, you shall become sons of Man, and when you say: "Mountain, be moved," it will be moved...
...singular characteristic, but to many outsiders, Sarah Lawrence remains a school of debutantes. This view is encouraged by the fact that Sarah Lawrence's tuition--$1820--is the highest in the nation, and little more than 10 per cent of the student body receive scholarships from the college. The theme of gracious living was emphasized in a recent spread by Harper's Magazine entitled, "Sarah Lawrence: for the Rich, Bright and Beautiful." However, while it is true that the girls are well represented in Eastern social registers, the presence of the debutante contingent seems to leave the atmosphere of Sarah...
...performance gave a continual impression of control and breadth, of getting far above the notes and phrases to achieve a coherent interpretation of each movement. There was a satisfying bigness about his reading that fitted this concerto perfectly, while not sloughing over the more lyrical passages. The second theme of the opening movement, particularly, with its appealing soulfulness, had a tender, longing quality without being sentimental. One could have wished for just a little less deliberateness in the second movement, a little more flash in the finals, and greater rhythmic definition throughout; but these are minor considerations in the light...
Despite its manifold wit and moments of wisdom, the plotless Heartbreak House drifts along with its people, and at times reflects their languor. This is partly because Shaw's ante-bellum England is not in itself a theme, but only a framework for one. Where Chekhov portrayed something dramatic, the death-indeed the suicide-of a class, Shaw caught, at most, the malaise of a country. Moreover, his characters are all so busy explaining what they suffer from that though they convey a forcible sense of diagnosis, they give off only the most feeble sense of disease...