Word: themes
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Dates: during 1960-1969
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...female lead's (Elizabeth Taylor) affair with her husband's immediate superior at a Georgia army base. It swoops in on an enlisted man's strange infatuation with Miss Taylor, swipes briefly at the mental illness of the superior officer's wife, and finally lands on the theme it ends with, the even stranger, growing infatuation of Miss Taylor's husband (Marlon Brando) with the enlisted man. Reflections even injects a slight dose of anti-Semitism, in much the way that Mort Sahl used to ask if there were any groups he had not offended. A sort of something...
...Almost inevitably, her brave effort suffers by comparison with Joseph Strick's recent version of Ulysses (TIME, March 31). Part of the problem is in the size of the task undertaken. For all its mythic dimensions, the huge superstructure of Ulysses is based largely on a single classic theme. But Finnegan cosmically takes on all history-Critic Frank O'Connor shrewdly accused Joyce the agnostic of egoistically revising "God's point of view about the universe." Moreover, the Wake deals entirely with the subconscious mind, the kingdom of dreams...
...Lublin, Gimpel the Fool), this work is a subtle form of autobiography, projecting the author's own sense of exile. It embraces a quarter of a century of change in the life of a Jewish family near Warsaw in 1863. If the time and plot sound remote, the theme is not. The central character is a kind of petit bourgeois Job who has to endure the special ordeal also known to the modern family man: he is condemned to watch his children depart, with brutal casualness and indifference, from their upbringing...
Matthew Josephson, now 68, is perhaps best remembered for his muckraking classic, The Robber Barons, a gallery of the "malefactors of great wealth" who dominated the second half of the 19th century in the U.S. The theme was full of pay dirt for the propagandist, but Josephson, one of the few radicals who had any notion of how American business actually worked, wrote with authority. Infidel in the Temple is an attempt to evoke the spirit of the Depression years, but the effect is only that of an endless documentary spliced from old newsreels, with a commentary by the author...
...valued pet, or a handy ox. The most infuriating thing Nat could imagine was to be submitted to the "wanton and arrogant kindness" of a white man. This ambivalence of race accounted more for Nat's rebellion than did any rage resulting from being intolerably oppressed; it is a theme which Styron has Nat express over and over...