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Word: themes (lookup in dictionary) (lookup stats)
Dates: during 1970-1979
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Usage:

Certainly no composer more closely tied each note to an onstage gesture, nor spun out a more painstakingly detailed and significant structure. It is a miraculous kind of mathematical puzzle. The whole of Lulu is based on a single twelve-tone row, which is Lulu's theme. All of the opera's other themes, accompaniments and leitmotifs are derived from endlessly ingenious extrapolations, inversions, retrogrades and other variations of the original row. These in turn are rigorously organized in a series of traditional forms. There is an extensive sonata structure in Lulu's scenes with...

Author: /time Magazine | Title: Music: Lulu Is the Toast of Paris | 3/12/1979 | See Source »

...Barber of Fleet Street," slits the throats of stray clients and deposits their bodies with Mrs. Lovett (Angela Lansbury), who has them ground up and served as meat pies in her pie shoppe. This musical is a black-comedy opera with helpings of ha'penny Brecht. Its underlying theme, and épater le bourgeois tone, is that man exists only to eat or be eaten by his fellows...

Author: /time Magazine | Title: Theater: Razor's Edge | 3/12/1979 | See Source »

...created Ford's "Better idea" and "Ford wants to be your car company" slogans, along with the famous "Sign of the cat" for Lincoln-Mercury. The theme at Chrysler will be engineering, and Astronaut Neil Armstrong will apparently remain as the corporate spokesman. Whether K&E will be able to improve the fading Chrysler quality image is a major question. Says a Detroit ad agency chief: "Iacocca could not quickly change the company's cars, so he changed what he could-the advertising...

Author: /time Magazine | Title: Business: A Better Idea? | 3/12/1979 | See Source »

...unrestrained fervor. The climax of this rough and rambling church shout is a flaming tenor solo by Ricky Ford, the last in a long line of great saxophonists who discovered themselves in Mingus's Jazz Workshops. In "Caroline 'Keki' Mingus," a ballad, altoist Lee Konitz lovingly introduces a theme which is then caressed by the ensemble with a grace that can only recall Mingus's one-time collaborator, Duke Ellington...

Author: By Paul Davison, | Title: Welcome Back, Charles | 3/7/1979 | See Source »

...MAJOR THEME comes out early. Sex. Or love if you like. Patti (Patty Woo), facing the classic problem of all hopeless romantics in "Used To," the third song of the evening, gives up her search for an Aryan demigod when swept away by a sweet schlep. Though we never found out just how long it was before her affair crashed, Woo's lovelorn overachiever presages the cast's comprehensive review of their dealings with boys from a casual come hither to determined attempts to do without...

Author: By Thomas M. Levenson, | Title: Out of the Mouths of Babes | 3/5/1979 | See Source »

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