Word: themes
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Dates: during 1970-1979
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...exist simultaneously; a world where his characters are trapped in the labyrinth of modern society. Cortazar's two best-known works, the short story "Blow Up" (on which director Antonioni based his film) and the novel Hopscotch, exemplify his search for a new Latin American identity and his pet theme, alienation. Hopscotch's structure reflects its themes of circularity and fragmentation. It is two novels in one book; Cortazar suggests the reader approach the chapters both consecutively and in nonsequential order...
...astounding Charlie Watts, the once and future King of the Skins. Characterized by the savage disco backbeat that marked the Some Girls dancing cuts and a tongue-in-cheek Motown chorus, the song also echoes the Goat's Head Soup album, particularly "Dancing with Mr. D." The theme, however, is unmistakably Some Girls--Bianca in particular...
...Necessarily should appeal to "anyone who loves Broadway, stars, or entertainment," Borowitz says. The revue definitely possesses a theatrical theme; many of its skits deal with songwriters' careers and show biz in general. Nevertheless, much of the material treats more Harvard-oriented subjects from cafeteria employees to Lamont Library checkers. In addition, the show promises to teach the audience a foreign language and contains a newsreel that covers thirty years of American history in five minutes. Borowitz characterizes the revue as a musical Monty Python. "It's not sreious," he says seriously. Tonight and tomorrow night, in the Adams...
...tolerate), would cover any function: airport, bank, office block, church, club. It tended to be what the Germans labeled Stempelarchitektur, rubber-stamp building. Thus a debased form of Modernist dogmatism, what Charles Jencks called "the rationalization of taste into clichés based on statistical averages of style and theme," turned out to be the official style of the '50s and '60s. When repeated ad nauseam by architects all over the U.S. during the building boom of the 1950s, to the point where the curtain-wall grid had become the "rational," cost-account face of capitalism itself, it was bound...
...theme of the Puebla conference, "Evangelization in the Present and Future of Latin America," sounds innocuous but may well produce controversy. Ten years ago, a similar conference of bishops passed a human rights resolution that aligned the church with the poor and dispossessed. Tradition-minded churchmen complain that this fueled the "theology of liberation" that has given Catholicism a Marxist hue in Latin America...