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Word: themes (lookup in dictionary) (lookup stats)
Dates: during 1980-1989
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Usage:

Johnny O'Connor, a ballad about a man who can't face the thought of marriage, has been the theme song of the Harvard Krokodiloes since...

Author: By C. JERRY Azzoli, | Title: Krok Proposes During Concert | 2/16/1988 | See Source »

Tolk arranged the proposal during latersession with Krok Musical Director Mischa A. Frusztajer '89 at the Krokodiloes' pre-concert retreat in Vermont. "It's traditionally the director's role to sing 'marry me' to someone in the audience during out theme song. I talked to Mischa and arranged the switch," Tolk said...

Author: By C. JERRY Azzoli, | Title: Krok Proposes During Concert | 2/16/1988 | See Source »

Enter Choreographer Sandra Bezic of Toronto, and it was goodbye Tech Weenie, hello Elegance Whiz. Out went the bouncy pop-rock medley. In came sobering, dramatic theme music. Also, more practice, this time emphasizing artistry. The results were startling. Last month in Denver as he collected his fourth consecutive national title, Boitano made history when eight of the nine judges awarded perfect 6.0s for composition and style on his two-minute program...

Author: /time Magazine | Title: Figure Skating: The Soaring, Spinning Battle Of the Brians | 2/15/1988 | See Source »

...worried anymore." Her mother says, "When I look back now, it isn't the money or the miles I think of, it's + all the years she skated well. All the times she quit, all the times I quit. Luckily, we never quit together." The Olympic theme piped increasingly on TV ads is beginning to get to Debi. "Goose bumps," she says. "I'll go through the house saying, 'I can't do it, I can't do it.' Then I'll get there, and I'll love it. One moment of glory is worth everything...

Author: /time Magazine | Title: Skater Debi Thomas: The Word She Uses Is Invincible | 2/15/1988 | See Source »

...each has his own sense of what it meant. To one, it suggests the call of a heron; to another, an owl; and to a third, a cable breaking in a distant mine shaft. In most productions the moment is a throwaway. In a few it hints at the theme of an encroaching Industrial Revolution to which this doomed family cannot adapt. In the splendidly insightful version now at the Brooklyn Academy of Music, the incident becomes a central metaphor. Just as the characters cannot resolve the objective truth of what they heard, so they cannot arrive at a shared...

Author: /time Magazine | Title: Theater: Samovars Without Stereotypes THE CHERRY ORCHARD | 2/8/1988 | See Source »

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