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...ideas Allen likes to keep circling back upon is the heavily ironic notion that it is perfectly possible - literally - to get away with murder, totally unpunished, in the godless and amoral modern world. It is the theme of two of his best films, Crimes and Misdemeanors and Match Point, and it is a central element in this movie. Like the protagonists of those earlier films, the brothers are not inherently evil people. They're just rather careless ones. Or perhaps one should say ungrounded. Terry is hard-working mechanic, rather decent at heart, but afflicted with addictions to gambling...

Author: /time Magazine | Title: Cassandra's Dream: Woody at Low Volume | 1/18/2008 | See Source »

...think something similar might be said about Allen. A movie like Match Point worked because, despite the seriousness of its theme, it had the sheen of glamour about it - the fabulous country house, the upscale condo in town, its general air of luxe. You might not like its people, but you couldn't help but admire their lifestyles. "I want that," an inner voice kept crying, as if it were a TV commercial sound bite. Cassandra's Dream is much more tough-minded. And much less immediately appealing. I walked out of the screening, over a month ago, admiring...

Author: /time Magazine | Title: Cassandra's Dream: Woody at Low Volume | 1/18/2008 | See Source »

...with Cossack-inspired embroideries and fur-and-velvet trim. Even the traditional pea coat and overcoat were revamped in supersized proportions at houses like Bottega Veneta and Ferragamo. Bottega Veneta designer Tomas Maier said he had been inspired by functional work wear from the 19th century. At Ferragamo the theme was discreet luxury, with loosened up pea coats lined in lynx. Shoppers can look forward to fending off the chill next winter - whether or not the weather complies...

Author: /time Magazine | Title: In Milan, the Coat Goes Haute | 1/16/2008 | See Source »

...Apocalyptic pessimism may be the theme of these movies, but the hero is driven by a desperate optimism: the world's ending, so I have to go on an impossible journey to save someone dear to me. The idea is that you'll forget about the tens of millions who died elsewhere and concentrate on the people you've come to know and have a rooting interest for. This elitism applies to virtually any movie set in cataclysmic times, whether it's the Civil War of Gone With the Wind or New-York-under-siege fantasies like Cloverfield. The leading...

Author: /time Magazine | Title: Corliss on Cloverfield: The Blair Witch Reject | 1/16/2008 | See Source »

...hair out of place. Maybe more than one. He was in his shirtsleeves. He was, as a spokesman said, "the stripped-down, acoustic Romney - Romney unplugged." The clunky chimera candidate who tried so hard to prove his conservative credentials had become a model of simplicity with one major theme: He was a successful "can-do CEO," in the words of state G.O.P. chairman Saul Anuzis, "who knows how to get jobs back...

Author: /time Magazine | Title: Has Romney Found His Voice? | 1/16/2008 | See Source »

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