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Continuing in its theme for this year, the women’s team put up a number of personal records in the last meet before the conference championship...

Author: By Gabriel M. Velez, CRIMSON STAFF WRITER | Title: Track Gets Practice, Personal Bests at Invitational | 5/3/2004 | See Source »

Garcia recalls that when she directed the Franklin I-O camp last year, “Franklin Love” was the theme of many camp activities, and this year’s Franklin I-O directors say that “love” is still the best word to describe the camp...

Author: By Sara E. Polsky, CRIMSON STAFF WRITER | Title: PBHA Raises Funds for Camps | 4/30/2004 | See Source »

...year’s show was to develop a unified aesthetic within a creative framework—one that would allow different media to be integrated into a fresh and exciting event,” says Ardrey. Deriving a more literal interpretation by dubbing this year’s theme, “Night at the Movies,” the show paid homage to the smooth synthesis of cinema with four separate themes: “Classic Hollywood,” “Blaxploitation,” “Boogie Nights...

Author: By Effie-michelle Metallidis, CRIMSON STAFF WRITER | Title: Tenth Annual Eleganza Turns Heads on the Runway | 4/30/2004 | See Source »

Pretenses of demure fashion established by “Hollywood” were quickly abandoned as the subsequent “Blaxploitation” theme evoked the sex appeal of the strong black male and female icons prevalent in popular 60s movies of the genre, such as Shaft and Foxy Brown. Revealing pieces from Wilson’s Leather, Planet Aid and Oona’s swayed and shimmered on bodies pulsating to the rhythm of “Sex Machine” and “Bad Mamma Jamma...

Author: By Effie-michelle Metallidis, CRIMSON STAFF WRITER | Title: Tenth Annual Eleganza Turns Heads on the Runway | 4/30/2004 | See Source »

...raucous audience enthusiasm continued into the next theme of “Boogie Nights,” which celebrated the 70s theme of stylistic excess manifested in flashy clothes and absurdly over-the-top hairstyles. Noticeable throughout the show was the pairing off of couples of different ethnic backgrounds, and the multiracial aspect wasn’t lost on Ardrey and Melvin. Playing up the lame Caucasian stereotype, they directed David A. Wallach ’07 in vaulting himself through Studio 54’s velvet ropes, after which he was carried off the stage by Mike Beal...

Author: By Effie-michelle Metallidis, CRIMSON STAFF WRITER | Title: Tenth Annual Eleganza Turns Heads on the Runway | 4/30/2004 | See Source »

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