Word: theoreticians
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Dates: during 1930-1939
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Adolf Hitler's generals know what they are about. They have studied their Erich Ludendorff and their Giulio Douhet (an Italian theoretician who says that modern war must be fought with mass air attacks). They knew that their advance into Poland would be a pushover. Nevertheless their tactic was a Ludendorff infiltration, modified to suit a mechanized army. Long steel fingers reached into Poland's flesh, then clamped together and squeezed the blood out. This they did with speed which was only less amazing than their efficiency...
...says Nazi Theoretician Ewald Banse, "is above all things a geographical phenomenon. It is tied to the surface of the earth; it derives its material sustenance from it, and moves purposefully over it, seeking out those positions which are favorable to one side, unfavorable to the other...
...economist, politician, agitator; Trotsky, an editor, strategist, orator; Radek, a journalist; Chicherin, son of an aristocratic family; Kamanev, a student of law; Rykov, Lenin's secretary; Zinoviev, a master of intrigue, a practical politician, "Lenin's greatest mistake"; Stalin, then 38, an editor; Bukharin, a dry, colorless theoretician; Lunacharsky, a dramatist; Dzerzhinsky, a politician-no group seemed so ill-equipped for the tasks before it as Russia's new leaders. All intellectuals, most of them hardened by years of exile and prison, they were masters of history who misread history, who banked on an international revolution that...
Most U. S. citizens know that Hitler painted water colors, but they do not know that Dr. Paul Joseph Goebbels, Minister for Propaganda & Public Enlightenment, theoretician of Nazi art, benefactor and guide of young Nazi writers, was once a novelist himself. In 1929, seven years after he joined Hitler, Goebbels published Michael, subtitled A German destiny in the pages of a diary. The prose of Michael is of such high intensity that it almost blows out a fuse on its first page. Opening sentence: "No longer does the thoroughbred stallion snort under my loins," which means that Michael is home...
...truck with arid, literal structuralism. He was not afraid to use decoration, loaded many a building with rich, vital, original design which he drew from the illustrations of plant morphology in Gray's Botany, a book he usually carried in his pocket. He was also a voluble theoretician, writing and speaking lyrically about the esthetics of building. He was constantly in search of the "law that will admit of no exceptions." But if he found it, he never set it down. A rapt listener to "the Master'' in the drafting room at night was a young...