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Harvard’s theatrical productions are unique, in that they rarely seek to make a profit. Instead, they challenge their audiences to think critically about the design, organization, and larger themes of these plays.

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Beth Shields '10 | 4/27/2010 | See Source »

“I think the theater community here, because it so small and does so much, is probably the most welcoming place you could possibly find at Harvard. It’s just a great group of people and everyone helps each other out to get these billions of...

Author: By Francis E. Cambronero, CONTRIBUTING WRITER | Title: Beth Shields '10 | 4/27/2010 | See Source »

Herbert, Hopkins, Goethe, and Dostoevsky are only a few of the voices that C.K. Williams conjures in his new collection, “Wait.” In one poem, he applies fertile Hopkins-like music to descriptions of dust and destruction, while in another he re-imagines a scene...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Pulitzer-Winning Poet Williams Channels Voices from the Canon | 4/27/2010 | See Source »

What happens after “happily ever after”? This is the question that drives “Into the Woods,” directed by Jordan A. Reddout ’10 and playing on the Loeb Mainstage through May 1. In Stephen Sondheim’s...

Author: By Rachel A. Burns, CRIMSON STAFF WRITER | Title: Into the Woods | 4/27/2010 | See Source »

Creative exercises like these are but one of the many ways in which the members of the Harvard University Composer Association help foster the work of student composers. The group meets weekly to discuss each others’ work, listen to recordings, and perform public edits, thus giving members valuable...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Original Student Composers | 4/27/2010 | See Source »

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