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Jacqueline M. Boltik ’11, who sits on the board of the Harvard Vestis Council—a student organization devoted to exhibiting Harvard student designs—would agree. Although Vestis itself has no specific ties to minority communities, Boltik can understand the aesthetic sense behind these...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Eleganza, Identities, and Project East engage in the same kind of cultural synthesis on a smaller scale. By interweaving the minority communities and the fashion industry, these three shows disengage the former from its customarily passive role as a source of influence for the latter. They carve a new, active...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

While Eleganza seeks to democratize fashion, Project East tries to maintain and celebrate its elusive haute couture nature. The designers are either high-end stars like Derek Lam and Vera Wang or students at the prestigious art colleges Parsons, The New School for Design, or Rhode Island School of Design...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Though originally conceived as a direct portrayal of Asian-American experience—the first show being partly set in San Francisco’s Chinatown—Identities has developed a different relationship with this community in the past two years. Another creative director Jane Chun �...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

Before shows can even try to answer these greater questions, each group must garner attention, secure creative participation and, of course, raise money. The three shows face two main challenges in finding funding on campus: none is a stand-alone organization, and all find themselves unable to apply for Undergraduate...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Cultural Couture | 4/20/2010 | See Source »

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