Word: thespianism
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Britons also reveled, mostly at a distance, in the opening last month in the venerable Ritz Hotel of London's newest and most elegant casino. More than 350 guests, including the Countess of Suffolk, the Baron de Montesquieu and the prince of thespian cool, James Mason, consumed 300 lobsters, 25 Ibs. of beluga caviar and 50 cases of Dom Perignon champagne while inaugurating wheels and tables that insouciantly accommodate $8,000 wagers at a clip. "Nice, isn't it?" a Ritz entrepreneur observed demurely. "In London, there's something for everyone...
CREW SPLINTERS: Crimson will miss the presence of three-seat Chris Kennedy, sidelined for the season with knee tendonitis... Junior varsity stalwart Geoff Brooks also gone after trading oars for thespian gear in Hasty Pudding Show... The last time Harvard rowed on the Harlem River (1975), a Crimson rower was hit in the head with a rock from a spectator's sling-shot and was rushed to the hospital. Pickering had to race both J.V. and varsity that afternoon on a river he says is filled with "tires, nail-boards and bodies"... The race will be going with the tide...
...muster, both individually and as a unit. If a cast has a collective feeling and the actors do their homework, the audience senses a flow that carries it along from scene to scene. Without that intangible, scenes fall flat, jokes sound stale, and productions become free-for-alls of thespian one-upmanship. Exceptions on any level are rare, particularly on the college level. This problem takes a particularly acute form at the Loeb's Mainstage Theater, a beautifully appointed but somewhat cavernous theater in which many well-intended but poorly produced shows die agonizing deaths each year...
...Arab) and her weird companion. Along the way Dern, who had broken down trying to make the transition from North Vietnamese prison camp to civilian status in the U.S., gets to do some nice psychopathic bits. Shaw has some weary and aging hunter routines on which to flex his thespian muscles. But the early action sequences have the feel of finger exercises, warm-ups for the big one to come, while the attempts to probe the psychology of the drama's leading figures are totally without surprise or subtlety...
...Welles's genius springs primarily from his sense of the operatic and the Thespian, and not from any personalized vision, this explains away all the bewilderment about why he has "wasted" himself bringing Shakespeare bombastically to the screen and reciting poetry on the Tonight Show. To stage a production is to stage a production. Citizen Kane and Ambersons may have constituted neither flukes nor the harbinger of a restless, inspired, opus: they may just have proven that stage-wizard Welles, given good material and the tools of his trade, can put on one hell of an incomparable show...