Word: thespians
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...already established himself as the glib Young Republican Alex Keaton, who's forever offering us the secret of his success. The yuppie image of Fox's earlier roles biased critics against him at the outset. On the other hand, it has given Fox plenty of ammunition to flex his thespian (although rather slight bodily) muscles just enough to give an extremely convincing performance that both Siskel and Ebert admired. And it is quite admirable. Jamie Conway is a truly desperate soul, quite close to dulling his own smug-young-New Yorker edge...
Talk about your comebacks. This character was a star from the moment he was hatched in 1937. Through every comic humiliation that befell him -- whether getting vamped by a transvestite rabbit or fricasseed by an irate hunter -- he displayed the bravura resilience of a born loser. This master thespian could play an existential hero (Duck Amuck), a base canard (You Ought to Be in Pictures), a hard-breathing hoofer (Show Biz Bugs) or a World War II draft dodger (Draftee Daffy). Wily farceur, dynamite showman, he made 126 pictures before retiring in 1968. For years he could be seen only...
MCKELLEN may be full of himself, full of more than the thespian's usually large share of bravado, but he is also full of Shakespeare and good humor. One of the highlights of the show comes when McKellen challenges the audience to find a single happy marriage in Shakespeare's canon--and shoots down every suggestion--from Othello and Desdemona to Brutus and Portia--with a few witty retorts. "Romeo and Juliet?" McKellen muses, "Short and sweet...
...great outdoors also attract the occasional brave thespian. Joe Giani '89 is staging Shakespeare's Comedy of Errors in the Quincy House Cage with additional performances outdoors. One performance took place last week in the Quincy House Courtyard and another is scheduled for this Sunday on the Boston Common. "It's an over-romanticized idea," Giani says, "but the idea of Shakespeare in the open air is still...
...return tour to Ireland. Each character gives his version of the events, with Hardy going first and last; like the famous Japanese short story and film Rashomon, their accounts do not quite measure up with each other. Playwright Brian Friel, who is undergoing an inexplicable vogue among the Harvard thespian set, handles the theme of religion as a divine con game with much less sophistication than Flannery O'Conner did in her novel Wise Blood...