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When, however, characters interact across the platforms or wander between them—as they frequently do—any understanding of the island and the outside world as separate and unconnected realities is shattered. The set’s spatio-temporal malleability works in tandem with other design details...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Fat Men in Skirts!!!?! | 4/27/2010 | See Source »

The terms that the Press uses to describe its project confront the standard top-down model of literary education. They call the creative interpretation of literature “intervention,” and teachers “facilitators.” “If this is a revolution...

Author: By Alina Voronov, CRIMSON STAFF WRITER | Title: Group Teaches Active Use of Literature | 4/27/2010 | See Source »

Marcela Maheca, the Executive Director of the Cultural Agents Initiative, says that the Press uses the arts to take risks. “If you put a mission to the arts, it’s going against the tenets of the field,” she says. ?...

Author: By Alina Voronov, CRIMSON STAFF WRITER | Title: Group Teaches Active Use of Literature | 4/27/2010 | See Source »

The Press’ emphasis on lateral, reciprocal action and risk-taking helps make them revolutionary. Maheca says the group is aware how difficult it is to do this. “My personal experience is how the community here perceives Harvard—how they are not interested at...

Author: By Alina Voronov, CRIMSON STAFF WRITER | Title: Group Teaches Active Use of Literature | 4/27/2010 | See Source »

Aside from Bendorf’s encouragement, Reddout finds it difficult to point out a single person who influenced her most. “Theater is very collaborative to begin with.” She says. “The students I’ve worked with have been really...

Author: By Lauren B. Paul, CONTRIBUTING WRITER | Title: Jordan Reddout ’10 | 4/27/2010 | See Source »

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