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Will has an adorable face. It’s a shame he keeps it covered with this thick layer of stubble. His facial hair grows extremely fast, and the thickness makes shaving a pain...

Author: By William L. Adams, CRIMSON STAFF WRITER | Title: Queer Eye for the Queer Guy | 9/25/2003 | See Source »

That progress owes plenty to people like Virgil Ware. He still lies in a nondescript grave marked only by blue carnations and hidden in a thick roadside forest. Each Mother's Day, his sister Joyce clears the overgrowth. "When we hit the lottery, we're going to move you," she tells him as she works. In the warmest months, swarms of fireflies illuminate the site--innocent reminders of the larger conflagrations that swept through Birmingham in the summer...

Author: /time Magazine | Title: The Legacy Of Virgil Ware | 9/22/2003 | See Source »

...Tree, tel: (86-10) 6509 3642, is on bustling Nan Sanlitun, you're safe from tourists here. Its intimate patio also shields patrons from jumpsuited beer-promotion gals, DVD sellers, and teens tying one on before a club. Fresh draught European imports such as Hoegaarden and Duvel fill the thick beer menu?perfect for washing down the Hidden Tree's wood-fired pizza...

Author: /time Magazine | Title: Detour: Barfly | 9/15/2003 | See Source »

...most vulnerable areas right now," says Lester Boeh, a vice president of Varian Medical Systems in Palo Alto, Calif. Varian produces high-energy X-ray systems that the company says can penetrate 17 inches of steel, giving customs inspectors a view of what's hidden behind the thick walls of a cargo container. Another company, NucSafe, in Oak Ridge, Tenn., is producing radiation sensors that determine whether suspicious items within a cargo container might be dangerous. The scanners irradiate the cargo, and NucSafe's sensors read the "signature" that is sent back...

Author: /time Magazine | Title: Will We Be Safer? | 9/8/2003 | See Source »

...from all four sides of the frame. Steamboat and Sailboats, Toward Evening and the abstract Polyphony are exercises in Klee's dreamlike version of pointillism, with light and shadow played out in multicolored dots. But 1933 brings an abrupt, definitive change in subject matter and style. The pale, thickly painted watercolor-and- plaster Head of a Martyr fills its small frame with downcast eyes and a battered, gap-toothed mouth. The circular face of Marked Man (1935), painted in scratchy russets and browns, is a target scarred with black crosshairs. In 1936, Klee returned to his Bauhaus preoccupation with constructing...

Author: /time Magazine | Title: Feats Of Klee | 8/24/2003 | See Source »

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