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...With the Globe," reads the poster on the newspaper delivery truck. "Read J.J. Hunsecker." Hunsecker, the upper half of his face on the poster, seems already to be reading you. The flinty eyes behind those thick glasses stare out like Big Brother's; the film will soon reveal what sort of a big brother he is. Under the opening credits, Elmer Bernstein score blares confidently (though in truth it sounds like leavings from his terrific work on "The Man With the Golden Arm" two years before). The glimpses of midtown midnight Manhattan under the credits put me in mind...

Author: /time Magazine | Title: That Old Feeling: Sidneyland | 3/22/2002 | See Source »

...make the front page never really did much for me. And even the most exciting moments—like Tyler Kolarik’s wrister on Saturday that ended an epic ECAC Championship game—thrill me but never make me wish I were in the thick of the action...

Author: By Martin S. Bell, CRIMSON STAFF WRITER | Title: Saved By the Bell: I'm Gettin' Old | 3/21/2002 | See Source »

...Ernst and Andre Masson, into what they called "automatism." His striped landscapes and magic-square paintings connect to Constructivism. His closely controlled but wandering line--"The line likes to go for a walk," he famously remarked--was an inspiration to Joan Miro. His late gestural paintings, with their thick brooding darkness and emphatic signs, such as Secret Letters, 1937, meant a great deal to American modernists like Jackson Pollock and Adolf Gottlieb. All in all, a tremendous amount of Klee's DNA was wound into the spiral of modernism, not only from the paintings themselves but also from his teaching...

Author: /time Magazine | Title: Art: Flyaway Fantasy | 3/18/2002 | See Source »

...later found out he was called, brought us to his father, a fisherman named Makhan. We negotiated a price for the trip?a couple of dollars?and the two of them led us through the fields into a mangrove swamp. Our feet sank into mud so black and thick it seemed they would never come back out. But Probas guided our steps and eventually, about 400 m from the shore, we found the boat...

Author: /time Magazine | Title: Paradise, for Two Dollars a Week | 3/18/2002 | See Source »

...opening track opens with a feverish drum line whose pace is so furious that it seems on the verge of falling out of step with the halting and heavy riff layered upon it. McComb shows off his ability to dynamically shift vocal tone, without stretching his overall range. His thick-throated melody is reminiscent of Creed’s Scott Stapp with a lot less Jesus and a lot more animosity, while his more aggressive growls and screams are akin to Pantera’s Phil Anselmo...

Author: By Crimson STAFF Writers, CRIMSON STAFF WRITER | Title: New Music | 3/15/2002 | See Source »

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