Word: thicke
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...thang...I wanna get into it, man, you know, like a sex machine man. Moving, doing it, you know...can I count it off?" and BREAK into Sly & The Family Stone coming and Thanking You Falettinme Be Mice Elf Agin and BREAK hangin with th'Parlifunkadelicacy thick groove hittin ya in your backside gang, doin it to ya in yer eardrum in 3D heavy thick and sweaty (no more meaty beaty big and bouncy) "I wanna know if it's good to you baby when you do what you do to me," know wad I mean, and BREAK and Groove...
...Whinin. Cryin. Whinin' 'n' cryin'. Take take me take me take me, If You Want Me To Stay. Sly SO slooowed down and laiiid back, smooth and no fast and furious, sly thick beats sounding like he's been ridin' a HORSE a horse of course of course unless its a SMACK and JB himself sounding...restrained? So here it comes, full-force Mothership, landing at a DISCO nearest you and now, twenty-years later still goin' down pickin' yer ass and then smellin' th' funky finger, right in yo' nose. From my ass to you. Achoo...
CONCLUSION Run on down you maggot you punk you white-bread college-ed bored and ignored to the store with th'most music and give them yer money, honey, for volumes numeros one and two and one two three and get DOWN in yer Dunster suites with the thick grooves with the sweeties but skip skip skip on yer record player volumes four 'n' five...
POPWATCH. Thick, multi-colored, eclectic, based in Somerville, and put out once or twice a year by my friend Leslie Gaffney (who lets me write reviews for it, but that's not the basis of my recommendation, nor is it more than a page or two of the last 90+ page issue). Most "real" magazines could learn many things about graphic design from the inset photos and graphics and various display faces Leslie deploys; the art (last issue had cover art by Chris Knox!) is neat, too, but the meat of the magazine is interviews--with Peter Jefferies, Barbara Manning...
...whom he purported to speak. The first cast to perform the anti-colonial The Blacks in Paris was mostly made up of African immigrants. These cosmopolitan hyphenated Frenchmen, according to White, had some trouble working up the demonic rage he gave his characters. In handling incidents like these, thick with politics and personalities, White manages to deal with both and distort neither. He never loses track of Genet's peculiar psychology or the very real history around him. He's able to draw out the complexitites of his subject without glorifying him or moralizing about his shortcomings...