Word: thin
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Dates: during 1940-1949
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...general excitement one stalwart oarsman forget himself and put a large and capable foot through the paper-thin bottom of the shell. Everyone was disturbed, but there were lots of other shells. So they got in another and rowed off. Coming upstream, the little cox didn't see a cake of ice, and suddenly the boat was split from bow to stern, and sank unceremoniously...
...home. To a man of his courage, Dutch stubbornness, and physical optimism this was not a matter of awful concern. He has never minded reaching a low point the year before an election. But on the day of his anniversary came strong strictures from a longtime thick-&-thin Roosevelt supporter, strictures to make even an optimist look to his political fences. Said the New Deal New York Post...
...oboist's technique begins long before he puts his instrument to his mouth. For Tabuteau, it begins in his medieval-looking fourth-floor workshop. There he whittles to perfection the paper-thin, cigaret-shaped reeds on whose shaping and adjustment oboe tone heavily depends. A flawed reed can make even the best playing sound like a tin horn. Tabuteau spends hours every day scraping away with a razorlike knife...
...They Got Me Covered" a five-star, on-the-nose, A-1 priority laff fest. Give me Groucho Marx for slapstick and Charlie Chaplin for pantomine. No, Hope is best when he is talking. He has a microphone personality and a master-of-ceremonies approach. Unlike your fat-and-thin combos (Abbot & Costello, Laurel & Hardy, Maxwell & Winchell), with Hope the ceremonies themselves don't seem to matter. Nobody cares what this quipping correspondent is doing; they just want to hear what he has to say about the situation. And from this point of view, "They Got Me Covered...
...They Got Me Covered" a five-star, on-the-nose, A-1 priority laff fest. Give me Groucho Marx for slapstick and Charlie Chaplin for pantomime. No. Hope is best when he is talking. He has a microphone personality and a master-of-ceremonies approach. Unlike your fat-and-thin combos (Abbot & Costello, Laurel & Hardy, Maxwell & Winchell), with Hope the ceremonies themselves don't seem to matter. Nobody cares what this quipping correspondent is doing; they just want to hear what he has to say about the situation. And from this point of view, "They Got Me Covered...