Word: things
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Dates: during 1970-1979
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...exploitation of chance and random effects, like Masson or Ernst, still less in exoticism and neurosis, like Dali, but in hallucinatory ordinariness. One of the obsessions of surrealism was the way inexplicable events intruded into everyday life. With his dry, matter-of-fact technique, Magritte painted things so ordinary that they might have come from a phrase book: an apple, a comb, a derby hat, a cloud, a birdcage, a street of prim suburban houses, a businessman in a dark topcoat, a stolid nude. There was not much in this list that an average Belgian clerk, around 1935, might...
...largest sporting-goods store, who has seen his sales of cross-country ski equipment increase fivefold in the past year alone. In California, ski resorts that two years ago had only 100 to 200 cross-country skiers a weekend, today may have 1,000. "It started as a neat thing to do in winter for people who were backpackers," says Dave Chantler of Seattle. "Now joggers, bicyclists and others are catching on to it. It's a good way for them to stay in shape...
...hurdling, as in other track events, ultimate success is measured by Olympic gold, not by automatic timers. In Moscow, Nehemiah will have to contend with the world's best under extraordinary pressure. He thinks he'll be ready: "The only thing that will hurt me will be an injury." Very much his own man at 19, Nehemiah is frank enough to say that he likes the adulation and attention that have distracted so many young athletes on the way to the Olympics. Says the finest hurdler in the world: "I'm going to take advantage...
...days, seven cities, stretching from Berkeley to New York, stirring up waters that flow far too free and easy. "American audiences like music to keep you happy," observes Drummer Nicky ("Topper") Headon. "It's music for you to drive home by." "It's the most dreadful thing," Lead Guitarist Mick Jones declares scornfully. "The Aerosmiths, the Foghats, the Bostons-they've kind of signed themselves...
...final essay, "Climbing the Tower," he contemplates the relationship between futility, violence and creativity. "I know what it means to live in an atmosphere of perpetual failure," he admits. "Inevitably, it is out of a base of failure that we try to rise again to do another thing...