Word: things
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Dates: during 1980-1989
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...give up her three lovers. School Daze, Lee's 1988 musical, examines the tensions between light- and darker- skinned blacks on an all-black college campus; it evoked the ire of some blacks, who charged him with airing the race's dirty laundry in public. With Do the Right Thing, Lee has produced his most provocative film...
...back to his days in college and film school. Those who know him say he is usually quiet, sometimes temperamental. "Spike is warm, but if you expect him to say, 'You look so wonderful,' you can forget it," says Ross, who is co-producer of Do the Right Thing. "At the same time, he will throw two Knicks tickets on your desk and say, 'I can't make the game tonight. Why don't you go?' " On the set, he is serious and organized, his directorial style, hands-off. "His touch is so light you don't even know...
...that blacks are slipshod businessmen. His marketing sense extends beyond his proven ability to reach an audience; he has cultivated a brand awareness of himself. Making a movie isn't enough, he says. "We're up against the giants trying to hold our own." Stacks of Do the Right Thing T shirts were poised ready for distribution before the film opened. A journal chronicling the making of the film, which Lee writes for each production as a text for aspiring filmmakers, is published simultaneously with the movie's release. Although he doesn't particularly enjoy acting, Lee says, he stars...
...rides around on a twelve-speed Peugeot bicycle (he doesn't have a driver's license) and considers a relaxing evening "going to a Knicks game, where the Knicks are winning in a nail biter, and I have two seats on the floor." If Do the Right Thing is a financial success, Lee will be playing in another league. Future movies will bring bigger budgets, probably accompanied by pressure for more control from the big studios anxious to protect their investments. Independence may be harder to retain. "Then the fights will come," says the director. Spike Lee is ready...
Spike Lee, whose films intentionally raise social and political questions, has made this summer's most controversial movie, Do the Right Thing, about race relations in a hot New York City neighborhood. His movies don't just aim to please; they expose stereotypes and vent his anger...