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...taking a class in VES and joining the art and design boards of The Harvard Advocate as a freshman, Lieberman says her concentration “decided itself.” “She’s involved with a lot of different kinds of art, and I think in the future she’ll continue to be prolific in a lot of different mediums,” says friend Martabel A. Wasserman...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rebecca Lieberman ’10 | 4/27/2010 | See Source »

...professor who taught Lieberman’s first sculpture class and advised her thesis this year. Mirra pushed the conceptual boundaries of Lieberman’s art, particularly regarding formal and material decisions in her sculpture work. “She and I are really different, but I think in the way she approaches talking about art, her work and other people’s work, we speak the same language,” Lieberman says. “I like the ways she critiques; she has the most vast body of knowledge of art and art theory and criticism...

Author: By Thomas J. Snyder, CONTRIBUTING WRITER | Title: Rebecca Lieberman ’10 | 4/27/2010 | See Source »

...think there’s this thread of idiosyncracy and personal inflection in what I write. What’s important to me is to confuse that. Some people define things as either personal or political, and I’d rather taint either side of that with the other. People have politics. Politics inform people, and then they live their lives differently. People often react to ‘Her Baldness’ as a highly personal thing,” Lord says, stressing that such a view misrepresents the book’s aims...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

Lord was quick to qualify the criticisms from Meyer and others levelled at her work on Solanas. “I don’t think it’s right to shoot people, unless you really, really have to,” she says. “But nonetheless I think it’s important to come up with a reading of [Solanas’ manifesto]. There are a lot of guys who shot people or strangled their wives or knifed them to death, and they continue to be taken seriously. I’m really not condoning...

Author: By Abigail B. Lind, CRIMSON STAFF WRITER | Title: Spring 2010 Harvard Arts Medalist | 4/27/2010 | See Source »

...derive so much inspiration from people I’m playing with and the connection you make when you’re playing with people,” he says. “Whether I’m playing funk or jazz or classical, one of the things I think I do naturally is connecting with other people when I play...

Author: By Araba A. Appiagyei-Dankah, CONTRIBUTING WRITER | Title: Malcolm Campbell ’10 | 4/27/2010 | See Source »

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