Word: thinks
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Dates: during 2000-2009
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...accounts, the chemistry between the two leads was intense, maybe too intense. "After I cast him, I told Rob, Don't even think about having a romance with her," Hardwicke says. "She's under 18. You will be arrested." It was the beginning of the real-life are-they-aren't-they, did-they-didn't-they speculation that is now an ongoing subplot of the Twilight story. "I didn't have a camera in the hotel room. I cannot say," Hardwicke says. "But in terms of what Kristen told me directly, it didn't happen on the first movie...
...story of totalitarianism--giving the Villagers numbers made chilling sense as a dehumanizing, de-individualizing device (and 40 years ago, played a tad more original). But for The Prisoner's new dystopia, which seeks to control minds more than imprison bodies, it doesn't quite fit. One would think the Village's happy-faced thought control would try to create the illusion of individuality--as with the mind-wiped servants in Joss Whedon's Dollhouse, who are given names and false identities. For all the reimagining, The Prisoner seems beholden to a 20th century idea of totalitarianism...
...Bauhütten, the shared lodgings of the medieval craftsmen who built the great cathedrals. As for the painters connected to the Bauhaus, whatever systems and principles Klee and Kandinsky believed their art was expressing, no one looking at anything they did--Klee's phantasmagorias, Kandinsky's swimming abstractions--would think the words factory produced...
...came much more of the work we think of as quintessentially Bauhaus: spare, sharp-lined products like Marianne Brandt's geometric tea-and-coffee sets and Josef Albers' austere little stacking tables. Marcel Breuer devised his soon-to-be-famous tubular steel chairs with their bands of stretched black canvas, a skeletal combination of lines and taut planes that looked like an X-ray of a chair. Even then, while factory production may have been the aspiration for many pieces, old-fashioned handcraft may still have been the method behind them. The interlocking grids of Albers' glasswork Goldrosa give...
...where Gropius, the Alberses and Moholy-Nagy would also end up as hugely influential teachers and practitioners. The Bauhaus was gone, but its gospel would go on. Decades later, Tom Wolfe would call his lightheartedly reactionary takedown of modernism From Bauhaus to Our House. No matter what you think of the book, you can't say he didn't get the title right...