Word: thinly
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Dates: during 2000-2009
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Morris' entire body of work, which includes the films The Thin Blue Line, Fast, Cheap, and out of Control and most recently Mr. Death, which opened in select theaters in December, was featured in a retrospective at the Harvard Film Archive last month. The event was not only a remarkable opportunity to watch his films on the big screen; it also provided a unique perspective into the interrelations that are woven through these works...
...THIN BLUE LINE...
...With 1988's "The Thin Blue Line," Errol Morris took his compositional approach to documentary filmmaking further than he had with his two earlier works, "Gates of Heaven" and "Vernon, Florida." Instead of a misleadingly straightforward, observational style, this film includes entire scenes shot as reenactments. "I've been accused of creating reenactment television," Morris says, "but the reenactments in The Thin Blue Line are all ironic, they never purport to show you what happened. When I see reenactment television the conceit is that they're actually showing you what happened, whereas in my film, it's exactly the opposite...
...this way, Morris says, "Mr. Death" can be seen as a companion piece to "The Thin Blue Line." Although both are "essays in false history," "in the case of Mr. Death it's a false history shared by very few people. In the case of "The Thin Blue Line," everybody believed the insane stuff. Could the Dallas police really have believed that Randall Adams was guilty...
...most unusual thing about "The Thin Blue Line" is that it blends two genres: the mystery-detective story in which the writer is aware of the outcome even as the exposition takes place, and the documentary film, which is known for its spontaneity. Through this combination, the audience is treated to a step-by-step account of a real investigation...