Word: thinness
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Dates: during 1970-1979
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...Mary Lyn drives off in her Vega. Jim trudges through the snow to his Jeep and connects an extension cord to the plug sticking out of the grille, starting a heater which will keep the engine warm all night. Without heat, the engine freezes tight in the bitter-cold thin mountain air. Jim puts his ear to the metal hood and stays very still, listening for the sounds that will tell him the heater is working. He knows that unless he is careful, he will not ski tomorrow, and he wants to, very much...
During the nine months before government action, humans ingested high concentrations of PBB. Even now, however, PBB remains in the food chain. Floyd Jones, a dairy farmer, said last week, "I've got cattle that slowly die. They're extremely thin right now and they've got pus oozing out of abcesses. They're stiff and lame and not giving any milk, of course. They've been tested and they're perfectly legal to put on the market for consumption." His family does not consume anything the farm produces now, Jones added...
...tiny pots of color and touches up her face. What he achieves is a stronger version of Cheryl: the wide eyes more enormous, cheekbones more prominent, the nose a more perfect narrow line. "The only thing you have to be careful with is her lips," says Bandy. "They're thin, and she doesn't like a definite line or a lot of color...
Comden and Green have followed the plot line of the famed 1934 screwball-comedy film, but that line now seems monorail thin. Lacking inspired lunacy, Director Harold Prince has taken refuge in camp and stylistic cartoonery. As Oscar Jaffee, the flamboyant theatrical producer who is down on his mendacious luck, John Cullum looks and cavorts rather like a Barrymore run off by a slightly defective duplicating machine. To make a comeback, he must sign Lily Garland, the woman he catapulted to stardom, to a stage contract. In that role, Madeline Kahn displays an arsenal of talents. She is kooky, vulnerable...
...plaintive zither of The Third Man gives way to a sorrowful silence in The Human Factor. The development of Castle's motivation is a little thin; his fleeting interest in religious faith seems like a crack in the sidewalk that Greene is compelled to step on. Despite the title, compassion is not the novel's strong point. It is rather the author's bitterness and sense of inevitability about "the intelligent and the corrupt," the Mullers who talk calmly about final solutions and the agents who plan the murder of a colleague between mouthfuls of smoked trout...