Word: third
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Dates: during 1970-1979
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Paul was at his best on these trips, smiling often and enjoying particularly the unconventional displays of piety that greeted him in the Third World. In Western Samoa in 1970, he stood before an outdoor altar in the blazing sun while eight sarong-draped men came forward, bearing on their shoulders an immense 400-Ib. pig, a traditional Samoan gift. In Uganda he was delighted by a platoon of blue-haltered, red-skirted dancing girls who met the papal jet in Kampala. More somberly, especially in his Third World visits, Paul made a point of seeking out the poorest neighborhoods...
More people will fly, including many of that one-third of all American adults who have never been up in a plane. E.H. Boullioun, President of Boeing's Commercial Plane Division, observes: "People's life patterns are changing. Young people are living for today. Let's say a couple has a few hundred dollars on hand. They'll spend it flying to California or somewhere...
Compared with the revolutionary jets of the late 1950s and the awesome jumbos of the early 1970s, the third generation of the early 1980s will seem to bring only evolutionary change. The new planes will not be longer, larger or sleeker than today's jumbos but somewhat shorter, smaller and squatter. They will be quieter, less fuel-thirsty, more automated and efficient to operate...
...industrial design and printing, as well as sculpture and painting, and it covers an extraordinary ferment of ideas and images. In short, it is the first major exhibition-as the Pompidou Center proudly and rightly claims-to trace the development of the range of German culture in the first third of our century...
...been seen in Berlin in 1913. Its light-filled space, saturated with color-not the sober browns and grays of cubism, but the full radiance of the spectrum from high yellow through to ultramarine, with a vestigial slice of trusswork from the Eiffel Tower rising in the top third of the painting to remind one that this was a view of Paris-made a deep impression on the young German, to whom color had an absolute value. But instead of following Delaunay into abstraction, he grafted his color system onto the figure; paintings like Pierrot, 1913, were the result...