Word: thirdly
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Harvard now has a third opportunity to prove its doubters wrong, and his teammates believe that with Richter in net, anything is possible. Because when the goalie brings his A-game, his teammates are able to step it up as well...
Sanders Theatre was filled with rich, textured harmony last Friday evening during Harvard-Radcliffe Orchestra’s (HRO) third concert of the 2009-2010 season. Under the baton of Federico Cortese, a senior lecturer in the music department, Harvard’s largest orchestra exemplified its virtuosity with its program of Chopin, Kirchner, and Brahms...
...phrasing evoked a tender fragility that lingered in the theater even with the swell of the orchestra behind him. Tam’s artistry in no way overshadowed his technique during this notably difficult concerto—he presented strength and articulation in the intricate fast passages of the third movement until the concerto’s robust conclusion...
...better finale than Johannes Brahms’ Symphony No. 3 in F major. Cortese skillfully guided the interplay of violins, cellos, French horn, and oboe through the thick harmonies of the first and second movements. The highlight of the evening’s performance was undoubtedly the third movement, with a hauntingly poignant melody that does not easily leave memory. Driven by the orchestra’s momentum, Cortese led the fourth movement to the evening’s positively triumphant conclusion...
...dominant styles of poetry—encompassing the long rhythmic lines of Allen Ginsberg and the short, understated verse of current Poet Laureate Kay Ryan. Amid this prevalence of fluidity in poetic style, “Mean Free Path,” Ben Lerner’s third book of poetry, stands out in its reactionary innovation. “Mean Free Path” is an experiment aiming for the reconstruction, not dismantlement, of poetic forms. Lerner’s book invents a new form as recognizable and systematic as the old ones...