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Speed in no way compromises thor oughness. Dr. Morris Collen, coordina tor of the program, reports that fully half of the 40,000 patients seen annually have "clinically significant abnormali ties, conditions which the physicians will want to treat." Kaiser's cost is approx imately $25 per patient, and the health-plan members pay virtually nothing...

Author: /time Magazine | Title: Diagnosis: And Now, Preventicare | 9/30/1966 | See Source »

...spent his entire life there. And even though his name was all but unknown, the painting was recognized as an "extraordinary" landscape (see color pages), purchased by The Hague in 1822, and hung next to a Rembrandt at the Mauritshuis. There, 20 years later, a young French critic named Thoré-Bürger was so struck by it that he decided to set about recovering Vermeer's lost paintings and opening the eyes of the world to the forgotten master from Delft...

Author: /time Magazine | Title: Painting: Phoenix by the Schie | 9/9/1966 | See Source »

Last week Vermeer needed no intro duction. Commemorating the centenary of the publication of Thoré-Bürger's monograph-still the source work on the artist-as well as the 150th jubilee of the Mauritshuis, The Hague has staged an exhibition titled "In the Light of Vermeer" (scheduled to open...

Author: /time Magazine | Title: Painting: Phoenix by the Schie | 9/9/1966 | See Source »

Mistaken Identity. It was this quality of light that enabled Thoré-Bürger to bring recognition to Vermeer's art where others had failed. Long a victim of mistaken identity, Vermeer had been confused with Jan van der Meer of Utrecht; moreover, his paintings had often been attributed to a better-known Delft artist, Pieter de Hooch, who also painted immaculate Dutch interiors. But in the late 19th century, the French impressionists, seeking to present light through color rather than a painted effect, were astonished to discover Vermeer's virtuosity with the same technique two centuries...

Author: /time Magazine | Title: Painting: Phoenix by the Schie | 9/9/1966 | See Source »

Indecent Exposure. Bengt Danielsson is no art critic but an anthropologist who accompanied Thor Heyerdahl's 1947 Kon-Tiki expedition to Polynesia, succumbed to the charm of the South Seas and moved his family to Tahiti in 1956. There he bumped into the legend of Gauguin, who spent his last years in Tahiti and in the nearby Marquesas and whose grave on Hiva Oa Island surveys the Pacific. Danielsson soon discovered what was for him an astonishing fact: none of Gauguin's many biographers had ever bothered to measure the legend in the place where so much...

Author: /time Magazine | Title: Books: Measure of the Man | 5/6/1966 | See Source »

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