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Word: thoreau (lookup in dictionary) (lookup stats)
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...Night Thoreau Spent in Jail...

Author: By Stephen E. Frug, | Title: Jailhouse Talk | 11/17/1989 | See Source »

...surrealism works to build the play's image of Thoreau, by organizing the play according to his character and not strictly to historical events. By the end of the play, all the fragments have weaved themselves together to form a coherent picture of a Thoreau who seems wise and who has learned that he cannot divorce himself from the world...

Author: By Stephen E. Frug, | Title: Jailhouse Talk | 11/17/1989 | See Source »

...Thoreau is, of course, the play's focus, and all the other characters seem to exist merely as his foils. Emerson (Elijah Siegler) is portrayed as a well-meaning, pontificating old man who is, at the end, rather pathetic because he does nothing to act on the ideals that he inspires in Thoreau. Other characters such as Thoreau's brother (David Javerbaum) who shares and makes corporeal Thoreau's ideals, and the man from the school committee (Ted Caplow) who attacks Thoreau for not sticking to the established texts, are also well portrayed...

Author: By Stephen E. Frug, | Title: Jailhouse Talk | 11/17/1989 | See Source »

...THOREAU is quite funny in parts and is very well acted, especially by Frost, who dominates stage time and dialogue. Especially well done are the scenes of Thoreau as a teacher, getting his students to learn and teaching Bailey (Jason Solomon) how to write his name...

Author: By Stephen E. Frug, | Title: Jailhouse Talk | 11/17/1989 | See Source »

...problem with Thoreau is that, in the end, it seems a little thin. The messages of noticing nature, bucking authority and getting involved have been preached over and over, and no new twists are added here. Thoreau's treatment of Williams (Karl Lampley), a runaway slave, even seems a little paternalistic, undercutting its supposed morality. Because the play's idealism is old and worn out, it does not affect one as it might have. Thoreau's story--except the sequence about the death of his brother, which is affecting--is not emotionally powerful. The play lacks the emotional or intellectual...

Author: By Stephen E. Frug, | Title: Jailhouse Talk | 11/17/1989 | See Source »

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