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Word: thoreau (lookup in dictionary) (lookup stats)
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...video begins unassumingly in a tiny cabin sequestered in the snowy woods. Inside are our musicians, escaping from the world, the audience, and their stardom. The camera peers into their cabin—as Thoreau as it is fairytale—reminding us that Interpol needs no audience. The band members appear through the slats in the cabin walls and then disappear behind soft focus. We look in on a private session...

Author: NO WRITER ATTRIBUTED | Title: Pop Screen: Li'l Kim, My Chemical Romance, Interpol | 10/7/2005 | See Source »

...brought to it both intense observation and a lyrical sense of identification with the landscape--just at the cultural moment when the religious Wilderness of the 19th century, the church of nature, was shifting into the secular Outdoors, the theater of manly enjoyment. If you want to see Thoreau's America turning into Teddy Roosevelt's, Homer the watercolorist is the man to consult...

Author: /time Magazine | Title: Art: Into Arcadia with Rod and Gun | 6/21/2005 | See Source »

...wanted to study philosophy and aesthetics at Harvard and nobody would give me the time of day,” says Maxwell, recalling a day during the blizzard of 1978 when she discovered the diaries of Thoreau in Widener library. “I went into the woods to live deliberately, to confront the essential facts of life,” she quotes from Thoreau’s Walden. “Part of the reason I wanted to dance was because I felt that dancers did this...

Author: By Anne E. Bensson, CRIMSON STAFF WRITER | Title: Maxwell’s Modern Dance Revolution | 6/8/2005 | See Source »

...against "politically correct" students and professors eager to indict that tradition as a syllabus of dead white males. But he actually belonged to no faction, identified with no cause. Like Ijah Brodsky, the lawyer in his story Cousins, he did no marching. Not even to a different drummer, like Thoreau. No marching, period...

Author: /time Magazine | Title: Saul Bellow: 1915-2005: Part Wise Man, Part Wiseguy | 4/10/2005 | See Source »

Ives considered himself a transcendentalist and intended the contrast of the soothing ephemeral strings with the sharp discordant winds to create what Thoreau called “a vibration of the universal lyre.” It was an interesting idea, but at least in this performance, it did not seem that Ives vision was realized...

Author: By Jonathan M. Hanover, CRIMSON STAFF WRITER | Title: ARTSMONDAY: Bartosik Shines in MSO | 3/21/2005 | See Source »

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