Word: thornton
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...myth all coincide in The Alamo, which depicts two of the most famous battles of the Mexican-American war: the Siege of the Alamo in 1836 and the succeeding Battle of San Jacinto. At the Alamo, under their leaders Col. William Barrett (Patrick Wilson), Davy Crockett (Billy Bob Thornton) and James Bowie (Jason Patric), almost 200 men from all different races and backgrounds fought bravely to the death against the Mexican army, led by General Santa Anna (Emilio Echevarria). While there were no survivors, their fight for Texas inspired General Sam Houston (Dennis Quaid) to lead 910 pioneers...
Number one man John Thornton led a singles barrage that saw only one decisive Crimson loss. Number two man Jim Levy scored a three-set victory over his opponent while fifth and sixth men, Jeff Wiegand and Bill Cole, posted decisive wins in their matches...
...begins with the end of the 1836 battle: a visual requiem for the dead Americans. Flash back, and then sketch in a trio of heroes: General Sam Houston (Dennis Quaid, his voice dropped an octave into martial mode); rebel warrior Jim Bowie (Jason Patric); and Davy Crockett (Billy Bob Thornton), bar-rasslin' legend, Indian fighter and, in this film, world-class country fiddler. Against them is the Mexican general Antonio Lopez de Santa Anna (Emilio Echevarria), who snipes at what he sees as the Americans' ambition: "We want to rule Mexico. They want to rule the whole world...
...clearly far more general than a shrill denunciation of the American dream or George W. Bush’s administration. Like many a great dramatic work—think Richard III or Oedipus Rex—the setting is merely a backdrop for the message. A misanthropic deconstruction of Thornton Wilder’s 1938 play Our Town, Dogville draws very much on theatrical (and literary) conventions in order to depart from more traditional cinematic renderings and privilege the message over the medium...
Which town? Our Town. Von Trier asserts his intention to rethink the classic Thornton Wilder play with his film's magnificent first shot: an overhead view of a nearly bare stage set, with Dogville's properties and props designated by painted lines. The old mine down the road is identified by a sign reading OLD MINE. A townsman closes an invisible door and we hear a slamming noise. Von Trier presumably wants us to attend to his characters' yearnings and prejudices without the distractions of period furnishings...