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...Berkeley coach Nort Thornton had not called his Golden Bear aquamen together in October of 1978 and asked them to dedicate their season to winning the school's first - ever NCAA swimming title, there's no telling which team would have rested atop the scoreboard at the conclusion of last year's championship...

Author: By Lorren R. Elkins, | Title: Cal Kept its 1979 Promise | 3/20/1980 | See Source »

Courtney Stimpson prevented a shutout by sweeping Princeton's Sarah Thornton, 15-1, 15 5, 16-15, in the seventh slot, but the Tigers dominated the rest of the day's proceedings...

Author: By Ari M. Lieman, | Title: Princeton Trounces Raquetwomen, 6-1 | 2/4/1980 | See Source »

...dropped out of Yale and toiled briefly as a press agent for the Shubert brothers before emerging as a theatrical Wunderkind by producing Broadway. Though financially crippled by the stock market crash in 1929, he produced or directed some of the more notable Broadway efforts of the 1930s, including Thornton Wilder's Pulitzer-prizewinning Our Town, A Doll's House with Ruth Gordon and The Green Bay Tree with Laurence Olivier. Harris' memoirs, A Dance on the High Wire (Crown; $10) were published early this month...

Author: /time Magazine | Title: Milestones, Nov. 26, 1979 | 11/26/1979 | See Source »

...generations ago, Thornton Wilder wrote Our Town, a play that captures the earnestness and innocence of Americans trapped in towns with one drugstore, one doctor, one minister and one cemetary; towns like the Irish hamlet where Charlie lives with his mother and father. But for all its simplicity, Our Town is imbued with the super-natural: in the cemetary that overlooks the town, a host of the dead assemble to discuss life. One of the dead, a woman named Emily, barters with the play's narrator for the chance to watch herself relive one day of her life, her twelfth...

Author: By David Frankel, | Title: Honor Thy Father | 11/15/1979 | See Source »

...already obvious plot into a play that has the subtlety of a bulldozer. You know when somebody says something prophetic (thunder claps in the background) and you know when the witches are coming (bizarre piano medleys screech behind the gauze curtains). The best musicians, meanwhile--banjo and fiddle players Thornton Lewis and Matthew Brown--make one stage appearance and, sad to say, disappear...

Author: By Robert O. Boorstin, | Title: Beyond Redemption | 10/26/1979 | See Source »

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